The Prisoner (2009) And American Tyranny by slaveofone
Warning: Major spoilers. Do not read if you have any desire to ever watch the show.
After viewing the show I had been waiting for ever since theories began circulating about a remake of the classic Prisoner series, I scoured the web to gauge what sorts of impressions, thoughts, and perspectives it was creating among the viewing audience. Was this show communicating and interacting with others in much the same way it did with me? Apparently not. Like many others with an interest in the show, I am a die-hard fan of the original. However, I seem to have parted ways with most of its critical viewing audience. I find myself in a familiar situation where the one show I thought was so brilliant and incredible is the one show that gets panned, dismissed, or glossed over. For instance, it seems to me that The Matrix: Reloaded is ostensibly superior to either of the other films in the trilogy, followed by Revolutions. And I think the reason is the same as it was for Reloaded: people don’t understand or just don’t get it. In The Prisoner (2009), what people expected or wanted isn’t want they got. But that is very, very good indeed. This post will focus on just one aspect that has really delivered something that blows (or should have blown) the mind: subversion of American (U.S.) political and economic perspective.
Brian Wilson was a genius. He wanted to create the definitive American music. In the process, he became a prisoner of his own making. He went insane. But after confronting himself and destroying the Village, he escaped and found his way back to the real world where he was finally able to complete his creation. He called it Smile. And it was good. So what was the definitive AMERICAN music doing playing throughout many pivotal parts of the remake of a BRITISH television series (anyone notice the cover of a Pet Sounds vinyl in Michael’s apartment)? And why place the conscious reality in the heart of NEW YORK instead of LONDON? Perhaps you caught the subtle references to terrorism and suicide bombing, or maybe that symbol of American freedom, those twin towers, gleaming in their memorial to the happy
and content
life of its residents in the mental/subconscious realm whilst standing as bastions of protection
and healing
in the other? This is not the original Prisoner, no matter the atavisms. Though the theme is the same as it was before (tyranny), this show is making a political statement that speaks to us, now, in a way the original cannot. The original was making statements about Socialism, which was the major European threat of that era. Today, now, there is a new threat posed by the American front–Fascism–and the remake has engaged it with every bit of vigor as the original did its own. It seems people were expecting another kind of McGoohan to come along and Caviezel was certainly not that. But the kind of answer presented this time is not the same as the original. This is an American answer, spurred on by an American dilemma. A McGoohan would not have fit the coat, badge, and shoes.
In the first series, evil was wrought and sustained by subordinating personal freedom and liberty to the interests, decisions, and control of the state. In the end, Six’s resistance and will found its completion, and the answer to the tyrant and its evil, in the destruction of the absolute power and influence of the state and by restoring autonomy to all. In the second series, evil is wrought and sustained by subordinating personal freedom and liberty to the interests, decisions, and control of an autocratic corporation. In this case, the answer is the nobility
and high moral
vision of the one who controls, coerces, and subjugates the citizens through the power of the corporation. In the end, Six does not destroy the tyrant, but steps into its shoes to remake society, regardless of its will, without its choice or consent, and no matter the cost, according to his own high moral
and noble
vision. He has not, like McGoohan, destroyed the number. Has has merely replaced the old number with a different sort of number. In the first Prisoner, Six’s resignation was detrimental to the tyrant because it meant he was refusing to allow the state to make his decisions for him. In the second, Six’s resignation was detrimental to the tyrant because it meant he was refusing to allow a corporation to have autocratic power to decide and do for people what it believes is best for them. But this very different Six is able to become the head of the corporation (thus reversing his opposition and annulling his resignation) because he believes that right makes might—and he believes he is right. Like his former ambulatory companion, we can only shed a tear at the horror of what Six is about to become because we—not just Americans but even those outside America—are seeing and experiencing it vividly. We have watched as the rights, liberties, prosperity, and security of the people becomes destroyed by our government1 and by the whim of rich and powerful corporate gods like Wall Street and the Federal Reserve2. America is in pain and that pain will continue for a long, long time to come, destroying both people within and without the country as well as the companies that feed off them, until we reject Fascism and throw down the new #2, the creation of BOTH Republican and Democratic parties.
1. Torture is okay. Allowing companies to wiretap is not a crime. Search, seizure, and imprisonment can be done without warrant. Holding people indefinitely in prison without criminal charge is fine. We think we can and should make war on foreign nations, destroy them, and try to rebuild them in a way that we think benefits us but is only hurting us severely (as one example, global terrorist activity has increased literally three hundred percent since we went to war against Iraq and invaded Afghanistan and shows no signs of reversal—see for instance this report up through 2006). Et cetera.
2. Companies and organizations that determine the fate of entire economies and should fail or be reworked from the ground up because they have destroyed those economies are being propped up and rewarded for that failure, which doesn’t fix the underlying problems, which can only lead to more misery in the future, and which is done so at the expense of the people and to the detriment of the value of their currency. Mortgage, real estate, and related companies were given unchecked and virtually unlimited power to do whatever they wanted to build capital, which resulted in the greatest housing bubble in American history and its harshest collapse. The ability of people who are acting financially reasonable and sound to increase their wealth and thus to help the economy recover has been destroyed by the Federal Reserve by manipulating interest rates to historically unseen lows, which stunts growth and encourages debt—the primary cause of our economic problems in the first place. The only result of these measures can either be increased taxation and thus less prosperity or continued and sustained devaluation of capital and thus less prosperity. Et cetera.